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shostakovich symphony 14 text

His writing for the voice is in small intervals, with much tonal repetition and attention paid to natural declamation. It is a work for soprano, bass and a small string orchestra with percussion, consisting of eleven linked settings of poems by four authors. He is regarded as one of the major composers of the 20th century, with a unique harmonic language and a historic importance due to his years of work under Stalin. Shostakovich attached great importance to this work, commenting in a letter to Glikman: "Everything that I have written until now over these long years has been a preparation for this work." google_ad_height = 600; Written for soprano Galina Vishnevskaya, bass, strings and percussion, it consists of 11 settings by poets who died young, including Lorca and Apollinaire. Not all the movements are linked; there are a few breaks between movements that effectively divide the work into a "conventional" four-movement structure. Dmitri Dmitrievich Shostakovich. Save to collection. In Mussorgsky's song cycle Shostakovich found a model that spoke out against death; in his symphony, he attempted to expand this protest still further. Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002. [1] He also makes dramatic use of tone clusters, such as the fortissimo chord illustrating the lily growing from the suicide's mouth in the fourth movement. 14, Op. "Les Attentives II" (Madam, look!) 54 by Dmitri Shostakovich was written in 1939, and first performed in Leningrad on 21 November 1939 by the Leningrad Philharmonic Orchestra under Yevgeny Mravinsky. 14 and subtitled To October, for the 10th anniversary of the October Revolution.It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927.After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow … The Symphony No. Written in 1969, largely during a hospital stay, the work is divided into eleven short movements, of which several are so closely connected that a larger formal structure comprising five sections (movements 1, 2 – 4, 5 – 7, 8/9 and 10/11) becomes perceptible. google_ad_height = 90; 7 (Shostakovich),